A new biography puts Baldwin’s sexuality – and the men he loved – front and centreToday, James Baldwin’s legacy seems assured, but this wasn’t always the case. His critical reputation, already on the wane in his lifetime, declined after his death in 1987. On the publication of the Library of America’s Collected Essays and Early Novels & Stories a decade later, Michael Anderson, writing in the New York Times, complained of his “intellectual flaccidity”. He also dismissed The Fire Next Time – Baldwin’s searing 1963 essay diptych on the US’s legacy of racial injustice – as an overly emotional “period piece”. If such a verdict was out of touch then, six years after the acquittal of the police officers who beat Rodney King, it seems, now, pitifully shortsighted.An inflection point in the Baldwin revival arrived in the form of Raoul Peck’s documentary I Am Not Your Negro (2016), which juxtaposes footage of modern-day protest and racist police violence w
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