This journey of discovery from the US to Sicily tackles urgent themes, but is increasingly inward-lookingIn Grace Paley’s short story A Conversation With My Father, a request is made of the Paley-like narrator. “I would like you to write a simple story just once more,” her father says, “the kind Maupassant wrote, or Chekhov … Just recognisable people and then write down what happened to them next.” Her attempt, and its failure to impress him, is the action that powers the story. Valeria Luiselli’s fourth novel is propelled by a similar request, the daughter of the Luiselli-like narrator asking: “Will you finally write a novel with a beginning, a middle, and an end?” It’s a problem Luiselli has addressed before. In her 2017 book-length essay about undocumented migrant children, Tell Me How It Ends, she writes that the difficulty in telling their story “is that it has no beginning, no middle and no end”.Beginning Middle End charts the narrator’s effort
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