The author of The Corrections talks about a new TV adaptation, the future of reading and why creating new work is ‘horrible’When HBO dropped its plan to adapt Jonathan Franzen’s bestselling novel The Corrections in 2012, the author was so relieved he says he performed his first and last cartwheel on the lawn of his home in Santa Cruz, California. There had been an attempted film adaptation before that, but he had been unsurprised by its failure, having warned that it was impossible to condense his densely plotted doorstopper of a novel into a feature-length film. This time, Franzen had signed up as co-writer, with filmmaker Noah Baumbach. He says that HBO was “excluded from the development process. Mistake, because we didn’t know how to do TV.” Franzen himself hadn’t even owned a telly until a few years earlier and certainly didn’t have cable, so as he was wrestling with the script, he began renting box sets. Around three episodes into one drama series, he realised
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