In the chill of a London spring night, under overcast skies, iconic Trafalgar Square opens around me. Admiral Nelson rises on his pedestal, the National Gallery rests behind, the church of St Martin-in-the-Fields sits nearby. From the 13th century, the site served as the Royal Mews for hawks and then horses. By 1844, it was a public space at the heart of one of the biggest cities in the world.Despite the square’s presence through that grand sweep of history, it’s not why I’m here. My interest is far more specific: I want to find out what happens to spaces like this when artificial light, specifically from light-emitting diodes (LEDs), intrudes. My companion tonight is Simon Thorp, a local lighting designer, who crouches in the shadows near Nelson’s spire, light meter in hand. “Two lux,” he reports, “and it’s very comfortable here.” Two lux is 10 to 20 times the illuminance of a full moon. We can see each other clearly, and a nearby sign assures us that closed-circui
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